The anti-utopias of our century (Zamyatin, Huxley, Orwell) depicted societies under total control where the absence of freedom was called freedom. In such societies, the rulers take care to supply the ruled with suitable diversions to prevent mental anxiety. Sexual games best fulfill that function. It is a credit to the intuition of the authors of those books that they depict Eros acting as a subversive force, which is no secret to the authorities: sex is anti-erotic and not only poses no threat but effectively prevents the appearance of the passions, which draw persons, not bodies, together and engage them both as flesh and as spirit. The hero enters upon a dangerous path when he is awakened by love. Only then is the slavery that was in disguise and accepted by everyone revealed to him as slavery.
— Czeslaw Milosz, Visions of San Francisco Bay